The Boston Boys and General Gage, 1775

Not on Display

Inspired by the 100th anniversary of the American Revolution, this work was first shown at the 1876 Philadelphia Centennial Exposition. The painting tells the story of a winter confrontation between General Thomas Gage (1721-1787), the British commander of the occupation of Boston, and an angry group of local children. With sleds in tow, the boys describe how British soldiers have infringed upon their rights by repeatedly breaking up their sledding hills on the Boston Common. Initially amazed at the effrontery of the young Americans, General Gage is shown halting all action with a slight gesture of his hand. He suspected that they had been sent by their rebellious parents, but the boys vehemently denied it. Gage was so impressed that he promised them redress. According to Benson J. Losing’s popular "History of the United States," which inspired Bacon, the story ends with Gage’s statement: “The very children here draw in a love of liberty with the air they breathe.” William W. Corcoran visited the Philadelphia Centennial and purchased several paintings; this one reportedly cost $10,000. In 1886, Mr. Corcoran donated this major historical genre painting to the Preparatory School of the Columbian University, “for the adornment of the general hall of the Preparatory School.” In 1898-99, this painting was loaned back to the Corcoran Gallery of Art, while the Law School was undergoing expansion.
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Culture:
American
Medium:
oil on canvas
Collection:
GW Collection
Accession Number:
P.1886.1
Credit Line:
Gift of William Wilson Corcoran, 1886
Date:
1875
Object Type:
Painting
Dimensions:
Image 150.81 H x 240.19 W cm (59 3/8 H x 94 9/16 W in)
Provenance:
Henry Bacon [1839-1912]. Purchased by George Gebbie [August 24, 1832-August 13, 1892], Philadelphia;[1] purchased by the Corcoran Gallery of Art, Washington, DC, April 12, 1886-by June 14, 1886;[2] purchased by William Wilson Corcoran [1798-1888], Washington, DC, by June 14, 1886-June 15, 1886;[3] gift to Preparatory School at Columbian College, now the George Washington University, Washington, DC, June 15, 1886. [1] According to letters from Gebbie to a William MacLeod, a Mr. Rogers of the Tradesmen's Bank in Philadelphia, paid $4,000 for the picture, but Bacon wanted it to go to the Boston Museum. The City of Boston had agreed already agreed to pay $6,000 for the painting, but Rogers is like Charles H. Rogers (14 Jun 1811 - 31 Dec 1884), (See Letter 3746, which contains three letters from George Gebbie to William MacLeod dated March 20, 1886, April 8, 1886, and April 9, 1886). [2] See the "Journal of the Official Proceedings of the Trustees of the Corcoran Gallery of Art," Vol. 1, April 12, 1886, p. 303. The painting was never added to the "Register of Paintings Belonging to the Corcoran Gallery of Art, 1869-1946." [3] According to William MacLeod journal entry for June 15, 1886: "It appears by last night’s proceedings of the Board, that Mr Gebbie’s offer to sell the whole of his photoglyptics of “Boston Boys” is declined for the reason that Mr Corcoran has in addition to $25,000 donated to the Columbian University, presented the painting of Fen Gage & the “Boston Boys”. The picture thus leaving this Gallery, the photoglyptics are not desirable. Wrote to Mr Gebbie, the result, as it stands at present, [...]. Mr Corcoran called & had the “Boston Boys” removed and sent to the University (Preparatory Department,) & also ordered the lot of prints of it, to be sent with it [...]. The picture will be much missed, for it was very popular." (See Transcript of William MacLeod Journal, June 15, 1886).
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Bibliography:
Journal of the Official Proceedings of the Trustees of the Corcoran Gallery of Art, Corcoran Gallery of Art, Washington, D.C., May 15, 1869-December 3, 1888, vol. 1, Called Meeting, April 12, 1886, p. 303
Lenore D. Miller (Author) and Margaret Swallow Dwyer (Author) and Sara C. Junkin (Author) and Bernard Mergen (Author), Victorian Sentiment and American History Painting: Henry Bacon's The Boston Boys and General Gage, 1775, The Dimock Gallery, The George Washington University, Washington, D.C., 1995, ill. cover and plate 1 (color)
Roger B. Stein (Author) and William H. Truettner (Author), Picturing Old New England: Image and Memory, Yale University Press, New Haven, 1999
United States Centennial Commission (Author), "Part II. Art Gallery, Annexes, and Outdoor Works of Art", Official Catalogue [for the International Exhibition, 1876], Published for the Centennial Catalogue Company by J. R. Nagle and Company, Philadelphia, 1876, revised edition ed., p. 43, no. 961
H. W. Janson (Contributor), Paris Salons, Garland Publishing, New York, 1977-1978, vol. 60 vols., vol. 1879, p. 12, no. 68
Boston Art Club (Author), Massachusetts Centennial Art Exhibition, Boston, 1876
Gregory Hedberg (Author), Yanks Paint Brits: From Benjamin West to Nelson Shanks, from King George III to the Princess of Wales, Hirschl & Adler Galleries, New York, c. 1996
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Exhibition History:
Centennial Exhibition, 1876, Philadelphia, Pennsylvania, May 10, 1876 - November 10, 1876
Enlightened Thinking, Lasting Appeal, Luther W. Brady Art Gallery, Washington DC, February 03, 2005 - March 11, 2005
Yanks Paint Brits: From Benjamin West to Nelson Shanks, from King George III to the Princess of Wales, Hirschl & Adler Galleries, New York NY, April 24, 1996 - June 28, 1996
Paris Salon, 1875, May 01, 1875
Picturing Old New England: Image and Memory (Alternate title: "Image and Memory: Picturing Old New England"), National Museum of American Art, Washington DC, April 02, 1999 - August 22, 1999
400 Years of Art: GW Collects, The Dimock Gallery, Washington DC, January 25, 1979 - February 23, 1979
Victorian Sentiment and American History Painting: Henry Bacon's The Boston Boys and General Gage, 1775, The Dimock Gallery, Washington DC, December 14, 1995 - February 22, 1996
Massachusetts Centennial Art Exhibition, Boston Art Club, Boston MA, April 01, 1876 - April 30, 1876
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